Category Archives: music

How catering franchises change the world

As I have travelled around the world, I’ve become an observer of retail food franchises and the way they perform when they are a long way from home.  Catering franchises are among the most potent brands we have.  Customer loyalty can be the strongest you’ll find in the retail sector and the emerging capacity of some brands to develop their brand communities is only going to enhance that.

These brands change the communities in which they reside just as the individuals that join any brand community changes that a little by bringing with them new character traits and values.  Restaurants like McDonald’s and KFC have changed countries and lesser retail food brands do the same to a lesser extent.  Today I made my second visit to what is fast becoming one of my favourite restaurant chains Tony Roma’s and as I sat there listening to The Eagles’ Hotel California I considered the impact they are having on the local community.  Quite significant I believe, because this is Saudi Arabia, where music is banned in any public place.

Here Tony Roma’s is a franchise run by a local Sheik already heavily into retail.  Clearly he is rather more progressive than others of his countrymen and though I don’t know him I am sure he must be a controversial figure.  Although Tony’s famous pork ribs were conspicuously absent from the menu the music isn’t the only taboo he is breaking.  Restaurants in Saudi Arabia are segregated.  Single men sit in one part and families and women on their own sit behind impenetrable screens in a separate part of the building.  They usually even have different entrances.  I’m not sure how this is supposed to work.  I guess it’s something to do with women not being able to eat through a veil and men not being allowed to look at a woman who isn’t wearing one, but, like many things in this country it is a mass of contradictions, doesn’t work and ends up being a bit of a farce (although the “Emperor’s New Clothes” applies here as everywhere).  Certainly in Tony Roma’s it doesn’t work because although they had areas designated as “single men” and “family”, everyone was allowed to sit where they liked, almost like real life!

The success of Tony Roma’s in Saudi Arabia is a testament to the changing tide.  The manager in this restaurant told me that he has clear instructions from head office that the music will be turned off at prayer time and should anybody complain at any other time.  So far though, in three years, complaints have been minimal and mostly from religious police who make inspection visits from time to time.  The real measure of popular feeling however has to be bums on seats and by all accounts the liberals have a landslide.  Whether any other businesses have the bottle to join this movement for freedom of choice remains to be seen.  I suspect they will, but while they are getting their act together maybe you could ponder on two issues this raises.  Firstly, as I have said the power of brands like these to influence change and secondly the fact that maybe the Saudis are not as completely inflexible as we Westerners think.

Name the tune that still does it for you (answers on a postcard, if you please)

Thirty years ago, when I was working my way up through the ranks at McCormick Internarco-Farner, our then Creative Director Gerry Moira was working with a film producer on some new effects to use in a TV campaign.  The producer (sorry, but I can’t remember who that was) had been working on pop videos and had a few on his show-reel.  Among these was this one with Chaz Jankel which made the rounds of the agency and was immediately loved and adopted by pretty well everyone.

I don’t remember the tune making it to the charts.  I can’t even remember if we used the effects in a commercial, but I came across it again quite by accident last week and I was surprised to find that, unlike most of the old stuff I listen to, it still had me wanting to get up and dance!  Even the video is great!  I guess we all have songs in our past that still do it for us.  So what’s yours?

UK needs to catch up on in-store music.

I’m feeling guilty that I’ve been neglecting my blog for the last few months.  Time flies when you are having fun and I’ve been engrossed in developing a new offer with Immedia Broadcast, who lead the UK in the design and delivery of bespoke live radio solutions for commercial enterprises.

Having set the bar for the last ten years in the high-ticket radio  and TV solutions that have made them famous Immedia are keen to apply their skills and experience to the volume end of the market and I’ve been working with the  amazing technical, radio production and music psychology experts in Newbury in the South of England, to create what we have called Dreamstream, an off-the-peg music solution that smaller businesses can access for a minimal monthly subscription.  It’s still a work in progress, but take a look and let me know what you think of it so far.  www.dreamstream.co.uk

The journey has been fascinating and among the interesting processes we have encountered along the way, we commissioned a significant research piece that involved talking to 800 small store proprietors.  This as a bit of an eye-opener and maybe a pointer to why our small stores aren’t always realising their potential.

While I’m used to retailers in the US and elsewhere, who, regardless of their size, already recognise the business case behind in-store music, their UK counterparts definitely need help joining the dots.  There’s research everywhere (and its a fundamental of my “Brandships” principle) to establish beyond doubt that music, that reinforces and reflects your brand will make customers feel at home.  It also shows that as a result of this they stick around longer in the store and return more frequently and we all know that once you have achieved this you’ll see an increase in sales.

There’s another angle to the in-store music argument though and that’s the impact it has on employees.  Those of us who have worked with this tool will know that store staff are responsible for a lot of the complaints about in-store music.  It’s also often the employees who exacerbate the problem by messing around with the content and volume in the stores where they work.  However, retailers that get their music right will find that their employees are energised and more enthusiastic about their work and this in turn increases productivity and sales.  Its pretty conclusive – increased customer propensity and greater employee engagement and there are case studies on the Internet where retailers have shown increases of 20% in sales just from music, without any announcements or commercials.

Sadly, some UK independents remain sceptical.  Our research even found a few who believed that in-store music actually had a detrimental effect on business.  The reason for these opinions can only stem from their experience of some of the absolutely awful in-store music that we hear in the UK.  I think there’s a major education challenge facing the sector and, with current challenges of the new economy, and the drift towards “clone towns” we need to get cracking on this quickly.

It beggars belief that a cash-strapped shopkeeper will pay more than £300 each year on PPL and PRS music licences, only to waste it by playing local radio or worse still the dregs of their own music collections.  Music that works is the product of the marriage of science and art that you can only get from professionals.  These small businesses need to understand that the DIY approach is a recipe for disaster and local radio is not going to do it for them either.

UK independent retailers have a long way to go to catch up with their counterparts in the US and until they understand how to make the most of the opportunities like in-store music that are definitely available to them, their self-pity and claims of a market biased toward multiples aren’t going to receive much sympathy.

England’s disappointing sporting performances – Anthem to blame?

You have probably heard me rant on about the power of music in marketing in the past, but having watched a weekend of sport starting with the England v. USA World Cup match and winding up with the Montreal Grand Prix the other shoe finally fell.

So for you analysts out there.  Plot this – England do just great at Formula One – English teams with English drivers, followed by English teams with foreign drivers and then foreign teams with English technicians.  We also lead the world at squash.  When it comes to football and rugby however we are patchy at best.  So, what’s the difference?  Well, one difference is that in the first two sports the national anthem is played at the end when everyone is winding down, whereas in the second two it’s at the beginning when vigor and high energy should be the order of the day.  Now listen to our national anthem – dreary in the extreme.  Certainly not in the least inspiring – slow, boring lyric and a melody that other countries use for hymns at Sunday school!  It just doesn’t compare with the hot-blooded, “vanquishing our foes” or “facing the challenge together” themes of many other nations.  Cold it be that when it’s played before a competition, our national anthem is actually demotivating our sportsmen and women?

I’m sure some enterprising data analyst could tell us whether this is so.  Maybe we could make a case for a new national anthem or at best a supplementary Haka like the Kiwi’s?  While the number crunchers get on to this maybe those of us who aren’t busy with spreadsheets already could suggest whose national anthem  is the most inspiring?

A new talent worth listening to

Folks who know me will know that I am never far away from music and always excited to find new talent.  As with anything else I firmly belive that music is about progression.  Once something has been done I can’t see the point in doing the same thing again unless you take it to a new level and I don’t rate musicians who find a formula and just keep repeating it album after album, however good an idea it may have seemed the first time.

Its reassuring therefore to come across a musician who is doing something a bit different and a young lady who fits the bill is Lucinda Belle, a singer/songwriter and jazz harpist who has just won her first recording contract.  Lucinda appeared on the BBC’s Breakfast show this morning with her harp “Diana” and a cuple of tracks from her forthcoming album “My Voice and 45 Strings” and I just feel she’s worth a listen.  If you want more (apart from the YouTube post I’ve linked to above) I guess you’ll just have to wait ’til the album comes out like the rest of us, but you can pre-order on Amazon right now.

Trash brands

trashcan2.jpg

I have this art project thing that has been rattling around in the back of my head for years and I guess, when I have some spare time (Yeah, like, what’s that?) I might get around to looking at it again. It adopts a utilitarian icon that years ago everybody in the UK had, and highlights how these things mirror the development of our individual characters. The reason I have brought this up here is that this is not just about human character development, but the character of all living things, which, to me, and I hope to you, includes brands.

When I was a kid in the UK everyone had a pressed steel dustbin (trash-can, garbage can – insert as appropriate) that they kept outside their house and one of the distinctive sounds of my childhood was that of steel dustbins banging on the edge of the bin-men’s trailer when each week they came to empty the bins and haul the rubbish (trash, garbage) away. These days its all plastic wheelie-bins and automated heists and the music is less interesting.

Actually, these bins were multi-purpose and perhaps their most popular application, next to keeping rubbish in them, was as football (soccer) goal posts. We kids used to stand them up in the street to mark the soccer goal. Being kids, of course, we rarely returned them to their rightful place and so they were variously hit by cars or knocked over by drunks that didn’t see them in time. They were also dented as the bin men dumped the rubbish over the side of their truck.

trashcan3.jpgSome folks painted their bins and I am aware that there are projects by students and artists in cities around the world even now where rubbish bins in public places have been decorated too. In the UK at least some people added their house number to them (in case they were stolen, I guess!) and the lids, which were also steel received the same treatment. Over their lifetime, these various encounters gave each bin an individual character – just as all other living things (and I include brands among them) are influenced by events that happen to and around them. So, that’s where my idea to adopt dustbins as my icon came from. The only trouble was, that when I got down to the execution … Yes, you are ahead of me … there were no old bashed-up bins to be found. Back to the drawing board on that one then!

So, what has this to do with anything? Well, as I said, brands work in exactly the same way. A brand character is not a rigid, one-time only tablet of stone, it evolves just like you and me. We can change our views in response to stimuli, events and the actions of others and brands, partly because they are our communities too, do the same.

Like the street where we live the nature of a brand community is influenced by the individual character, values, opinions of its inhabitants at any one time, and people will come and go. Its also influenced by what competitors do, like introducing new features, as well as by political actions. The current most powerful political influences are things like GM, global warming, carbon neutrality, sustainable living, vivisection, the green issue, third-world debt, exploitation and fair trade, which brands like Starbucks have adopted as an element of their own brand character.

Its vital for any brand manager to have a finger on the pulse of what their community members (their customers, suppliers, investors, distributors etc.) believe is important. If you don’t, you’ll lose existing community members. Its also important to know what’s buzzing in the world outside of your community so that you can reach out to potential new members with whom you might have some affinity.Good marketing is always interactive and good brand stewardship is about listening and responding to your brand community, which is why good brands stay topical and popular and in a constant state of change. Its also why, over time great brands evolve distinct, vivid characters, just like a dustbin (trash-can)!

trashcan1.jpgPostscript: If you bump into a steel dustbin that you feel has character, by all means, snap a photo and send it to me. I’ll reserve the right to publish it in whatever way I see fit of course, but I’ll promise to credit you if I use your picture anywhere. If the numbers justify it and the quality is there, maybe we can create a gallery! Watch this space.

Vlasta Redl rocks!

redl2.jpgMusic has always featured large in my life, but never so much as it has in the lives of Czechs who fought a revolution partly through art, dance, Vaclav Havel, the playwright who led the country to the Velvet Revolution that saw the back of the Commies and in particular music, with the Plastic People of the Universe who, to the Czechs, were so way beyond the counter-culture that the likes of Bob Dylan represented to us Westerners that we couldn’t even imagine it.

There has always been a strong classical musical culture too, delivering the likes of Dvorak and Smetana from a catchment of so few people, although my friends who are involved in the classical scene bemoan the fact that even today, while the conservatory continues to be held up as a shining example of the country’s commitment to music, it remains fiercely defended by the elite from intrusion by ordinary folk.  Its odd though that the quality of music here is – let’s be tactful – pretty bad.  Their Pop Idol franchise (called Superstar) usually ends up with finalists that we in the UK would be watching on the out-takes!  There isn’t a great deal of originality in any of the arts – understandable for a lot of reasons – and music is no exception.  During Communism the pop songs of the day were often melodies stolen directly from Western records with new Party line lyrics added.  Its still cool for a guy to look like Ginger Baker did in the sixties and Heavy Metal remains the weapon of choice for a large number of musos.

I was surprised therefore to catch a concert last week by a guy called Vlasta Redl and come away feeling as though I had found Czech music I could listen to.  Kinda “Jethro Tull meets James Taylor” this folk rock band demonstrated originality in composition, great harmonies and kicking musicianship across a range of tempos and styles within the folk-rock range.  The bloke still looked like a hippie, but, hey, you can’t have it all.  The audience, who weren’t by any means teenies, knew the lyrics to pretty much everything he gave them.  My Czech wife though, who is a bit of a hippie herself, had never heard of him despite the fact that he has been around since 1990. 

I decided to check him out on the Web and discovered that he hasn’t learnt the secret of branding – consistency across all communications.  While the archive of down-loadable free stuff was typical of the Czech “all for art” approach the content didn’t live up to the concert.  Disappointing, but I’m going to add a Redl CD to my Santa list, if only to discover if he can do it in the studio.  I also want to get hold of one the T-shirts with the daisy across the front that half the audience were wearing when they arrived – obviously an icon of the Redl community.  Anyhow, despite the downloads not being up to scratch he’s worth a listen, if only to hear what the Czechs are doing these days.  Drop in and hear for yourself.